Classical Studies

“Gill’s and Ryan’s Parmenides is, simply, superb: the Introduction, more than a hundred pages long, is transparently clear, takes the reader meticulously through the arguments, avoids perverseness, and still manages to make sense of the dialogue as a whole; there is a fine selective bibliography; and those parts of the translation I have looked at in detail suggest that it too is very good indeed.”
     —Christopher Rowe, Phronesis

"Keith Whitaker's insightful introduction to this notoriously daunting text is valuable for its clarity and sobriety. The lucid interpretation will be of interest to those versed in the text and will be of great help to any who encounter the dialogue for the first time. The engaging translation humanizes the discourse without compromising its precision-a notable achievement that will earn the gratitude of readers."
     —Joseph Cropsey, University of Chicago

"The musicality of Deborah Roberts' translation of Aeschylus' Persians, the earliest Greek tragedy that has come down to us, rivals the playwright's own astonishing lyricism. She crafts extended speeches by the drama's characters into captivating set-pieces of performance poetry. Roberts also replicates Herodotus' celebrated storytelling energy in her translation of the passages from his Histories included in this volume. In her Introduction, Roberts examines Aeschylus' drama and Herodotus' representations of Persian culture as crucial records of ancient Greek conceptions of otherness and perceptively appraises the Persians itself as a sober contemplation upon the shared human toll of political ambition and warfare’s traumas and grief, making this book urgently relevant to contemporary audiences."
—James Bradley Wells, PhD, Edwin L. Minar Professor of Classical Studies, DePauw University

"This marvelously conceived new translation of Plato's most important dialogue will set the standard for classroom use for many years to come. . . . The authors' imaginative new interpretation will inspire students and generate scholarly controversy-and is thus certain to accomplish what it suggests is the true aim of Socratic inquiry: the weaving, unweaving, and perpetual re-weaving of the Logos."
     —Dr. George R. Lucas, Jr., Professor of Philosophy, US Naval Academy, Annapolis

“A first rate translation at a reasonable price.”
     —Michael Rohr, Rutgers University

"A superb translation that captures the rhetorical brilliance of the Greek. . . . The translation is faithful in the very best sense: it reflects both the meaning and the beauty of the Greek text. . . . The footnotes are always helpful, never obtrusive. A one-page outline is useful since there are no editorial additions to mark major divisions in the dialogue. An appendix containing fragments of early Greek love poetry helps the reader appreciate the rich, and perhaps elusive, meaning of eros. . . . The entire Introduction is crisply written, and the authors' erudition shines throughout, without a trace of pedantry. . . . this is an excellent book that deservedly should find wide circulation for many years to come."
     —Tim Mahoney, University of Texas at Arlington

"This is a fine translation, both fluent and accurate. It captures the range of tonalities of the original in elegant English that is neither stiffly formal nor cheaply colloquial. . . . The supplementary matter is appropriate and useful. The introduction is crisp and clear, the interpretive essay illuminating. . . . Scully has done a sound and serious job of translating and annotating for the general reader. Above all, his translation is excellent in respect to style and clarity: really a pleasure to read."
     —David Konstan, Brown University

This translation by Dorothea Frede of Plato’s dialogue on the nature of pleasure and its relation to thought and knowledge achieves a high standard of readability and fidelity to the Greek text. The volume includes a cogent introduction, notes, and comprehensive bibliography by Frede.

"Peter Meineck has given us a superbly vivid rendering of the play, informed throughout by his practical experience in the theater. His is a Philoctetes that is supremely alive, from start to finish. . . . [I]deal for classroom use. . . . accompanied by a new and thoughtful introduction from philosopher and classicist Paul Woodruff. Woodruff anchors the play in the complex web of fears and anxieties of 409 BCE, as both Sophocles' life and Athens' imperial heyday drew to a close. . . . [A]n exceptionally fine work of translation and scholarship that will go far toward demolishing dismissals of the play as inaccessible or unengaging for the modern reader. Sophocles, Meineck and Woodruff eloquently remind us, speaks to every age, not least our own."
     —Thomas R. Keith, Loyola University Chicago in CJ-Online

"Seth Schein's new translation of the Philoctetes will serve as a useful text for upper-year classical literature courses in translation. As is typical of the Focus Classical Library series, Schein's translation aims to give a faithful rendering of the Greek that is at the same time readable, if not poetic. It also situates the work in its historical context and generally provides the supplementary material required for readers new to Attic tragedy. . . . Given that it provides more contextual information and interpretive detail than the average translation, and that the translation itself strives for greater fidelity to the original, Schein's work will be most welcome in upper-year translation courses, where it will encourage students to develop a more detailed and subtle understanding of the play."
      —Brad Levett, Carleton University

The second edition of Philosophy Before Socrates has been updated and expanded to reflect important new discoveries and the most recent scholarship. Changes and additions have been made throughout, the most significant of which are found in the chapters on the Pythagoreans, Parmenides, Zeno, Anaxagoras, and Empedocles, and the new chapter on Philolaus. The translations of some passages have been revised, as have some interpretations and discussions. A new Appendix provides translations of three Hippocratic writings and the Derveni papyrus.

The Physics is a foundational work of western philosophy, and the crucial one for understanding Aristotle's views on matter, form, essence, causation, movement, space, and time. This richly annotated, scrupulously accurate, and consistent translation makes it available to a contemporary English reader as no other does—in part because it fits together seamlessly with other closely associated works in the New Hackett Aristotle series, such as the Metaphysics, De Anima, and forthcoming De Caelo and On Coming to Be and Passing Away. Eventually the series will include all of Aristotle's works. Sequentially numbered endnotes provide the information most needed at each juncture, while a detailed Index of Terms indicates places where focused discussion of key notions occurs. An illuminating general Introduction describes the book that lies ahead, explaining what sort of work it is and what sorts of evidence it relies on.

"A complete and unified account of Plato’s epistemology . . . scholarly, historically sensitive, and philosophically sophisticated. Above all it is sensible. . . . White’s strength is that he places Plato’s preoccupation in careful historical perspective, without belittling the intrinsic difficulties of the problems he tackled. . . . White’s project is to find a continuous argument running through Plato’s various attacks on epistemological problems. No summary can do justice to his remarkable success . . . "
     —Ronald B. De Sousa, University of Toronto, in Phoenix

“An indispensable storehouse of information and analysis—essential reading nowadays just as in 1935, when it first appeared. . . . Plato’s Cosmology continues to be the constant reference point of any serious study of the Timaeus.”
    —John M. Cooper, Princeton University

Text in Greek with extensive commentary in English, including a general introduction, and introductions to each of the two texts, appendices, glossary, and vocabulary. The Euthyphro and the Clitophon provide an ideal, exciting introduction to Plato and Greek prose. Even a student fresh out of introductory ancient Greek can expect to finish these works within a semester, because the Greek of the Euthyphro is clear and easy to follow, but not overly simple.

Plato's Thought offers an excellent introduction to Plato, guiding the reader through Plato's Theory of Forms, and examining his views on art, education and statecraft. This edition includes an introduction, bibliographic essay, and bibliography by Donald Zeyl.

"This is clearly the definitive edition in English of the Platonic writings. It replaces completely the Hamilton-Cairns collection. . . . The notes are at just the right level, and the index is very helpful.  The translations are both readable and accurate." —Michael D. Rohr, Rutgers University

"The most important publishing event in Platonic translation is the Complete Works edited by Cooper and Hutchinson. . . . Hackett has lavished great care in the production of this volume: fine India paper, elegant typography, sewn binding, and cloth boards. . . . It should be in every library and on the shelves of all lovers of Plato." —Steven J. Willett, Syllecta Classica

By pairing translations of Gorgias and Rhetoric, along with an outstanding introductory essay, Joe Sachs demonstrates Aristotles response to Plato. If in the Gorgias Plato probes the question of what is problematic in rhetoric, in Rhetoric, Aristotle continues the thread by looking at what makes rhetoric useful. By juxtaposing the two texts, an interesting "conversation" is illuminated—one which students of philosophy and rhetoric will find key in their analytical pursuits.

"This is a book worthy of high praise. . . . All versions are exceedingly witty and versatile, in verse that ripples from one’s lips, pulling all the punches of Plautus, the knockabout king of farce, and proving that the more polished Terence can be just as funny. Accuracy to the original has been thoroughly respected, but look at the humour in rendering Diphilius’ play called Synapothnescontes as Three’s a Shroud. . . . Students in schools and colleges will benefit from short introductions to each play, to Roman stage conventions, to different types of Greek and Roman comedy, and there is a note on staging, with a diagram illustrating a typical Roman stage and further diagrams of the basic set for each play. The translators have paid more attention to stage directions than is usually given in translations, because they aim to show how these plays worked. This is a book to be used and enjoyed.”
     —Raymond J. Clark, The Classical Outlook

"Christenson has offered readers a useful and informative edition of four Plautine plays in neutral, accessible English that, unlike some recent Plautus translations, reaches out to a wide modern audience, both classicist and general, both in Anglophone countries and elsewhere in the world. Within the range of Plautus translations as currently available, this is certainly a most welcome contribution. Christenson's thematical focus on some of Plautus' more serious plays, in which he seems almost like a social critic, is interesting and provides food for thought."
      —Vincent Hunink, in Bryn Mawr Classical Review

"I have long been an admirer of Stanley Lombardo's translations of Homer, and I was curious to see how he would adapt his fast-paced, lively style to Sappho. He has succeeded admirably. His translation of 73 poems of Sappho is clear, energetic, and close to the Greek. Pamela Gordon's Introduction gives a lucid and useful guide for the non-specialist to the last fifty years of scholarly debate on Sappho. This edition will be particularly useful for instructors of courses in translation seeking an introduction to Sappho for the Greekless student. It is also a pleasure to read."
     —Laurel Bowman, The Classical Bulletin

Richard Janko’s acclaimed translation of Aristotle’s Poetics is accompanied by the most comprehensive commentary available in English that does not presume knowledge of the original Greek. Two other unique features are Janko’s translations with notes of both the Tractatus Coislinianus, which is argued to be a summary of the lost second book of the Poetics, and fragments of Aristotle’s dialogue On Poets, including recently discovered texts about catharsis, which appear in English for the first time.

"I find the Introduction extremely convincing, lucid, learned, fair to past scholarship, and truly illuminating about the meaning of tragedy in general and about the very specific acceptions of hamartia, katharsis, ekplêxis, and thauma, in the context of an appropriate understanding of the Poetics. Another remarkable feature is the dexterity and ease with which it draws on all the relevant parts of the Aristotelian corpus to shed light on troublesome textual passages in the Poetics. Finally, the style of the Introduction is straightforward, free of unnecessary jargon, direct, and economical, the best interpretation of the Poetics I ever read." —Sabetai Unguru, Tel Aviv University

“The book’s major parts, one on polarity and the other on analogy, introduce the reader to the patterns of thinking that are fundamental not only to Greek philosophy but also to classical civilization as a whole. As a leading classicist in his own right, Lloyd is an impeccable guide. His sophistication in adducing anthropological parallels to Greek models of polarity and analogy broadens his perspective, making him a forerunner in the study of what we are now used to calling semiotics. A striking example of Lloyd’s approach is his re-examination of the dichotomy of Olympian and chthonian gods in ancient Greek world view, which surpasses the reductionist and pseudo-historical models of sky-gods and earth-goddesses that are still commonly invoked to account for polarities in Greek pantheon. In the second part, dealing with analogy, three crucial metaphorical models for the universe turn out to be basis for a dazzlingly wide variety of scientific and philosophical perspectives. Each model is tested in the whole spectrum of Greek artistic, philosophical and scientific thought. This work is a treasure-house of insights for experts and non experts alike.”
—Gregory Nagy, Harvard University

“The beautifully crafted English of Reeve’s translation is as crisp and lucid as Aristotle’s Greek. One is constantly impressed with Reeve’s instinct for the right word in rendering the rich vocabulary of Aristotle’s thoughts about politics and for his ability to capture the subtleties of Aristotelian syntax. Highly recommended.” —David Keyt, University of Washington

“This is an admirable translation, meticulous in its attention to Aristotle’s Greek and judicious in its phrasing and choice of terms. It should prove invaluable to beginning students and scholars alike.” —Richard Kraut, Northwestern University

“Joe Sachs has an extraordinary ability to render ancient Greek into English sentences that are so clear and direct that they help readers to look past Aristotle's technical terminology and reflect on the philosophical issues in the text. For beginning students Sachs's translations are an ideal vehicle through which to engage Aristotle's philosophy. For those of us who are more advanced, they are sufficiently different from the traditional translations to open fresh ways of thinking about the texts. Sachs does a fine job with the Politics. The translation is very readable and accurate, and the notes and glossary are insightful. The introductory essay by Lijun Gu valuably emphasizes the importance of book IV."
—Edward Halper, University of Georgia

Series: The New Hackett Aristotle

"David Reeve's new translation of the Politics is certain to become the primary and indispensable tool for anyone undertaking a careful study of Aristotle's great work. Newcomers to this treatise as well as advanced scholars will learn enormously from the Introduction, extensive notes, and detailed index."  —Richard Kraut, Northwestern University

“This volume is an impressive tour de force. It is state-of-the-art Aristotle: it employs the most recent philological, philosophical, and logical advances which since the 1970’s at least have rendered previous translations and commentaries obsolete. The translation is the first to take account of the recent epistemically orientated natural-deduction approach, which restores Aristotle’s reputation as a consummate logician and reveals much more of Aristotle’s method than previous approaches. Every page of Robin Smith’s commentary shows extensive learning, taste, imagination, and skill. . . . An important and lasting contribution, not only to Aristotle scholarship and to the history of logic, but also to the history of philosophy itself.”
    —John Corcoran, SUNY Buffalo

Keitel and Crawford have produced a college level commentary of Cicero's great speech which provides insights into Roman life and culture, the nature and tools of Roman rhetoric, and, through the inclusion of correspondence and other texts, the life and friendships of Cicero himself. This volume includes the Latin text with vocabulary, exercises, notes, and an extensive introduction.

“This is the best Prometheus Bound in English. Deborah Roberts’ translation is accurate, readable, and true to the original in idiom, imagery, and the combination of a high style with occasional colloquialism. The informative notes and perceptive Introduction will help readers to experience the play with heightened pleasure and understanding.” —Seth L. Schein, Professor of Comparative Literature, University of California, Davis

"This is an outstandingly useful edition of Prometheus Bound. The translation is both faithful and graceful, and the introduction to this difficult play is a model of clarity, intelligence, and a profound familiarity with the workings of Greek myth, Greek literature, and literature in general." —Rachel Hadas, Department of English, Rutgers University

"The language is rich and poetic without being overly stylized. The result is a beautiful rendition of the tragic language. . . . The Introduction provides everything one would want and expect to find for this play." —Kathryn Mattison, McMaster University, in Mouseion